She/Body/Null, by Emi Kusano, explores the relationship between AI and human identity. Set within a dystopian world under a glowing red moon, Kusano portrays a cyborg-like figure–a hybrid morphing fluidly between human and machine. Through her presence in this world, Kusano contemplates how technology-driven transformations of identity and body might reform each individual.

This AI film explores the microaggressions Kusano experienced in predominantly homogeneous communities in the American Mountain West, and how these experiences can lead to a form of self-orientalism. The work draws inspiration from the artist’s memories of a high school exchange program in the United States in the late 2000s.

This artwork presents a fictional advertisement set in a future world dominated by AI, using the artist’s own face as a model. The unnatural gaze of the woman in the work hints at something beyond the reach of even exponential technological progress—‘humanity.’

Liminality depicts Emi Kusano's childhood dream journals and early 2000s pop culture, blending surreal imagery with AI to explore the boundary between dreams and reality. The series merges AI-generated visuals with human memory to create ever-changing, fluid landscapes and figures.

"The Altar of Bonnō" explores the Buddhist concept of bonnō, or blind passions, and how they drive our actions and emotions.

COGNITIVE CHAOS: WIRED REALITIES is a self-portrait created with AI that provokes thoughts about a future where AI and human thought processes might merge.

COGNITIVE CHAOS by Emi Kusano is a series of 33 AI-generated images that venture into the nostalgia of a future once imagined, where brains are directly connected to devices—a concept familiar from science fiction but now echoing with new significance.

Melancholic Magical Maiden deconstructs the aesthetics of the ‘magical girl’ genre from 90's anime, where girls who possess magical abilities typically use them through an ideal alter ego into which they can transform.

In the crucible of Japan's cultural imagination, where every object is believed to house a spirit, and technology is embraced not as a foe but as a companion, the series "Techno-Animism" manifests as a profound exploration of this symbiosis. 

This work features numerous photographs of somewhat familiar yet strange sceneries. Displayed are fictional street snapshots made by generative AI. The series of images reexamines the relationship between AI and human memory by evoking our feeling of nostalgia through AI creations.

Pixelated Perception explores the complex confluence of the digital and the tangible, highlighting the diverse transitions in Japan. In the 1990s, pixels, the minute elements of the digital realm, emerged prominently in platforms like mobile phone communications and instances of censorship, subtly altering our perception of reality.

Filter Bubble Euphoria embodies her nostalgia for the time when cyberspace was in its genesis, a period of simplicity and limitless connections before the age of algorithmic isolations.

Synthetic Reflections is a self-portrait series by Emi Kusano, accumulating visions of the future once imagined by the past and lyrically illustrating their unique anticipations towards the technology of their times. It was featured on Japan's first-ever AI fashion media cover.

Shijitai was digitally hand-sculpted and textured with AI-Collaborative art, combining advanced mathematics and aesthetics of ancient paintings and tapestries. Disassembled to purest form--shapes and colors--it was then arranged as abstract collage, glowing and dancing over the fabric.

NeuralFad reimagining the rich vocabulary and history of Tokyo street fashion through AI, the collection takes the viewer across and beyond the post-war decades of Japanese fashion history

The artificial life form Mother System, born in the last era that humans lived on Earth, serves as the origin of an information flare that explodes, scattering the Gals across planets where humans reside. The goal of the Galverse is to restore peace to the universe. 

80's synthwave group from Tokyo. The music creates a modern twist on the 80's, incorporating themes such as the societal aspects surrounding cutting-edge technologies

From 2018, Emi started producing media art works with Junichi Yamaoka, an engineering researcher and media artist. She develops a questioning piece of accelerationist technology. She creates works with the motif of old retro technology such as TV and computer.